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DTSTART;TZID=America/Los_Angeles:20260627T113000
DTEND;TZID=America/Los_Angeles:20260627T153000
DTSTAMP:20260421T231732Z
CREATED:20260421T231732Z
LAST-MODIFIED:20260421T231732Z
UID:24944-1782559800-1782574200@artsalliancedavis.org
SUMMARY:Beginning Charcoal Drawing
DESCRIPTION:Beginning Charcoal Drawing\nSaturday\, June 27 | 11:30 AM – 3:30 PM\n$75 Members\, $95 Non-Members (All materials included) \nLearn the basics of charcoal drawing with Sophie Jorcino! In this one-day workshop\, you will learn value shading\, texture techniques\, and sketching exercises\, all while learning to use different charcoal materials that are included with the class fee. This workshop is open to everyone ages 16 and up- no art experience required. \nRegister here: https://pencegallery.org/education/programs/workshops-and-classes/ \nAny questions? Email pencegallery@gmail.com. \n 
URL:https://artsalliancedavis.org/event/beginning-charcoal-drawing-2/
LOCATION:Pence Gallery\, 212 D St\, Davis\, CA\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/04/Beginning-Charcoal-scaled-w5i4WM.jpg
ORGANIZER;CN="Pence Gallery":MAILTO:pencesocialmedia@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260627T120000
DTEND;TZID=America/Los_Angeles:20260627T170000
DTSTAMP:20260509T160057Z
CREATED:20260509T160057Z
LAST-MODIFIED:20260509T160057Z
UID:25307-1782561600-1782579600@artsalliancedavis.org
SUMMARY:after nature
DESCRIPTION:FIONA K. LAU\nAFTER NATURE\nJune 5–29\, 2026\nSecond Saturday Reception: June 13 at 5–8 p.m. \nAxis Gallery\n625 S St\nSacramento\, CA 95811\nGallery hours: Friday\, Saturday\, and Sunday\, 12 – 5pm \nIn after nature\, Fiona K. Lau examines our increasingly mediated relationship with the natural world through a series of paintings and installations that navigate the space between digital fascination and ecological crisis. The exhibition takes its title from Jedediah Purdy’s book\, which explores how nature as a notion of pure\, untouched wilderness no longer exists—if it ever did—and asks how genuine kinship can be forged in an era when human influence has transformed every ecosystem and the internet shapes our environmental consciousness. \nThe works in this exhibition embody this search for connection through their very making. They function as palimpsests\, layering diverse sources—personal records\, Chinese literati painting\, Japanese manga and pop culture\, internet-sourced photographs\, and AI-generated images and texts—into compositions where paint and line\, figure and ground\, shift and slip against one another. Strange reactions emerge between mark-making\, layered imagery\, fluid space and surfaces\, the invisible and the visible\, and emergence and disappearance in dialogue. They mirror our contemporary relationship with nature—mediated\, fragmented\, yet resonant. \nafter nature offers neither solutions nor nostalgia but rather a contemplative space to reconsider how we see\, know\, and care for the more-than-human world in an age of digital saturation and ecological transformation. \nABOUT THE ARTIST \nFiona K. Lau is a Sacramento-based painter whose work explores the relationships of land\, environment\, and belonging. Born in British Hong Kong and raised in Canada\, she had worked in environmental pollution research and international aid across sub-Saharan Africa. Her practice is deeply influenced by experiences of shifting cultures and a background in scientific training\, creating layered works that bridge different realms of experience to reveal tensions and hidden constructs. \nLau’s work has been exhibited in Seattle\, Atlanta\, New York\, Philadelphia\, and internationally in Japan and Canada and is featured in public collections in Kent\, WA\, and Chamblee\, GA. She has completed artist residencies at the Vermont Studio Center\, Ox-Bow School of Art & Artists’ Residency\, and Verge Center for the Arts in the US; OCAD University in Toronto\, Canada; and AiR Yamanashi in Kofu\, Japan. Lau is the recipient of the 2025 Creative Growth Fellowship awarded by the City of Sacramento’s Office of Arts and Culture and is a member of Axis Gallery in Sacramento. \nfionaklau.com
URL:https://artsalliancedavis.org/event/after-nature-11/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/05/after_nature_front_tensor_pure-white_v4_wild-fruit-iZZ1nw.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260627T120000
DTEND;TZID=America/Los_Angeles:20260627T170000
DTSTAMP:20260509T160059Z
CREATED:20260509T160059Z
LAST-MODIFIED:20260509T160059Z
UID:25308-1782561600-1782579600@artsalliancedavis.org
SUMMARY:IMMORAL UNTIL PROFITABLE
DESCRIPTION:KENNETH JORDAN\nIMMORAL UNTIL PROFITABLE\nJune 5–28\, 2026\nSecond Saturday Reception: June 13\, 5–8 p.m. \nAxis Gallery\n625 S St\nSacramento\, CA 95811\nGallery hours: Friday\, Saturday\, and Sunday\, 12–5 p.m. \nAxis Gallery is pleased to present Immoral Until Profitable by Kenneth Jordan \nJazz is one of America’s greatest innovations; born from creativity\, collaboration\, and resilience. Yet like many American art forms created by marginalized communities\, jazz was first condemned before it was celebrated. \nReligious leaders called it immoral.\nCritics called it primitive.\nRespectable society called it dangerous.\nBut the music didn’t disappear. It evolved. It spread.\nAnd once it became profitable\, condemnation gave way to consumption. \nImmoral Until Profitable examines a recurring American pattern: reject\, resist\, rebrand\, monetize. \nThrough portraiture\, text\, and layered materials drawn from newspapers and public rhetoric\, this exhibition highlights both the brilliance of jazz and the cultural forces that once tried to suppress it. What was once feared became profitable. What was once dismissed became foundational. This show uses jazz as a lens to ask a broader question: What are we condemning today that we will eventually consume? \nJoin us at Axis Gallery\, located at 625 S Street in Sacramento’s historic R Street Corridor\, within the Verge Center for the Arts building. The gallery has exhibited innovative contemporary art for over 35 years and continues to serve as a vital space for artists to explore\, connect\, and share work outside the commercial sphere. \nABOUT THE ARTIST \nKenneth Jordan is a California based painter whose practice centers on large-scale works that command attention through bold composition\, layered materials\, and expressive use of color. His work explores the intersection of history and visual storytelling\, examining how cultural ideas evolve over time; how they are shaped\, challenged\, and ultimately redefined. Raised in a deeply creative environment\, Kenneth was influenced early on by a family of artists\, including his great uncle\, renown Disney animator Marc Davis\, whose contributions to classic Disney films helped shape his understanding of art as a powerful narrative force. \nWebsite: https://www.kennethjordanart.com\nInstagram: @k.jordanart
URL:https://artsalliancedavis.org/event/immoral-until-profitable-11/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/05/Jordan_Kenneth_MainShowImage-Kenneth-Jordan-y3Xm5B.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260627T170000
DTEND;TZID=America/Los_Angeles:20260627T200000
DTSTAMP:20260414T204833Z
CREATED:20260414T204833Z
LAST-MODIFIED:20260414T204833Z
UID:24831-1782579600-1782590400@artsalliancedavis.org
SUMMARY:Adding Stones to Rise A Group Exhibition of Sacramento-Based Artists
DESCRIPTION:Adding Stones to Rise\nA Group Exhibition of Sacramento-Based Artists\nArtist and Curator: Adero Willard \nMay 1 – May 29\, 2026\nSecond Saturday Reception: Saturday\, May 9\, 5–8 PM \nAdding Stones to Rise is a curated group exhibition bringing together Sacramento-based artists working across multiple media\, including painting\, printmaking\, ceramics\, sculpture\, and new media. The title was developed in response to the work and writings of the artists in the exhibition and to the regional presence of rivers that move through and around Sacramento. Water becomes a point of connection—flowing\, sustaining\, eroding\, nurturing\, and reshaping. It can lift\, carry\, overwhelm\, or renew. The flow of a river may also be understood simply as the movement of material through the earth. In this context\, adding stones may suggest burden\, accumulation\, protection\, labor\, or foundation; rising may evoke resistance\, healing\, survival\, visibility\, or change. \nArtists were selected to create a diversity of voice\, perspective\, process\, medium\, and identity\, speaking to the expansiveness of Blackness and representing a collective of varying experiences. Each point is distinct\, yet inseparable from the whole—reflecting how identity\, particularly Blackness\, can be understood as fluid\, relational\, and non-monolithic. \nAdding Stones to Rise centers the work of Black women and nonbinary artists—new to the region\, rooted here\, or returning. Together\, these artists offer a collective meditation on movement\, care\, resistance\, and transformation. This exhibition is one moment in an ongoing story. It is not the first of its kind\, and it will not be the last. \nCuratorial Note: As a curatorial framework\, stones\, water\, and rivers function as metaphors for ideas brought together in this space and may not reflect the specific themes or content of each artist’s work. \nParticipating Artists\nDebra Pitman\, Laurelin Gilmore\, Amari More\, Victoria Kinyanjui\, Khalia Morris\, Tasha Green\, Delgreta Brown\, Alex Lowe\, Sabrina Clark\, Tasha Nicole \nPress Contact\n[Adero Willard] [potterybyadero@gmail.com |
URL:https://artsalliancedavis.org/event/adding-stones-to-rise-a-group-exhibition-of-sacramento-based-artists-23/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/04/Adding-Stones-iT1pCg.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260628T120000
DTEND;TZID=America/Los_Angeles:20260628T170000
DTSTAMP:20260509T160113Z
CREATED:20260509T160113Z
LAST-MODIFIED:20260509T160113Z
UID:25309-1782648000-1782666000@artsalliancedavis.org
SUMMARY:after nature
DESCRIPTION:FIONA K. LAU\nAFTER NATURE\nJune 5–29\, 2026\nSecond Saturday Reception: June 13 at 5–8 p.m. \nAxis Gallery\n625 S St\nSacramento\, CA 95811\nGallery hours: Friday\, Saturday\, and Sunday\, 12 – 5pm \nIn after nature\, Fiona K. Lau examines our increasingly mediated relationship with the natural world through a series of paintings and installations that navigate the space between digital fascination and ecological crisis. The exhibition takes its title from Jedediah Purdy’s book\, which explores how nature as a notion of pure\, untouched wilderness no longer exists—if it ever did—and asks how genuine kinship can be forged in an era when human influence has transformed every ecosystem and the internet shapes our environmental consciousness. \nThe works in this exhibition embody this search for connection through their very making. They function as palimpsests\, layering diverse sources—personal records\, Chinese literati painting\, Japanese manga and pop culture\, internet-sourced photographs\, and AI-generated images and texts—into compositions where paint and line\, figure and ground\, shift and slip against one another. Strange reactions emerge between mark-making\, layered imagery\, fluid space and surfaces\, the invisible and the visible\, and emergence and disappearance in dialogue. They mirror our contemporary relationship with nature—mediated\, fragmented\, yet resonant. \nafter nature offers neither solutions nor nostalgia but rather a contemplative space to reconsider how we see\, know\, and care for the more-than-human world in an age of digital saturation and ecological transformation. \nABOUT THE ARTIST \nFiona K. Lau is a Sacramento-based painter whose work explores the relationships of land\, environment\, and belonging. Born in British Hong Kong and raised in Canada\, she had worked in environmental pollution research and international aid across sub-Saharan Africa. Her practice is deeply influenced by experiences of shifting cultures and a background in scientific training\, creating layered works that bridge different realms of experience to reveal tensions and hidden constructs. \nLau’s work has been exhibited in Seattle\, Atlanta\, New York\, Philadelphia\, and internationally in Japan and Canada and is featured in public collections in Kent\, WA\, and Chamblee\, GA. She has completed artist residencies at the Vermont Studio Center\, Ox-Bow School of Art & Artists’ Residency\, and Verge Center for the Arts in the US; OCAD University in Toronto\, Canada; and AiR Yamanashi in Kofu\, Japan. Lau is the recipient of the 2025 Creative Growth Fellowship awarded by the City of Sacramento’s Office of Arts and Culture and is a member of Axis Gallery in Sacramento. \nfionaklau.com
URL:https://artsalliancedavis.org/event/after-nature-12/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/05/after_nature_front_tensor_pure-white_v4_wild-fruit-iZZ1nw.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260628T120000
DTEND;TZID=America/Los_Angeles:20260628T170000
DTSTAMP:20260509T160115Z
CREATED:20260509T160115Z
LAST-MODIFIED:20260509T160115Z
UID:25310-1782648000-1782666000@artsalliancedavis.org
SUMMARY:IMMORAL UNTIL PROFITABLE
DESCRIPTION:KENNETH JORDAN\nIMMORAL UNTIL PROFITABLE\nJune 5–28\, 2026\nSecond Saturday Reception: June 13\, 5–8 p.m. \nAxis Gallery\n625 S St\nSacramento\, CA 95811\nGallery hours: Friday\, Saturday\, and Sunday\, 12–5 p.m. \nAxis Gallery is pleased to present Immoral Until Profitable by Kenneth Jordan \nJazz is one of America’s greatest innovations; born from creativity\, collaboration\, and resilience. Yet like many American art forms created by marginalized communities\, jazz was first condemned before it was celebrated. \nReligious leaders called it immoral.\nCritics called it primitive.\nRespectable society called it dangerous.\nBut the music didn’t disappear. It evolved. It spread.\nAnd once it became profitable\, condemnation gave way to consumption. \nImmoral Until Profitable examines a recurring American pattern: reject\, resist\, rebrand\, monetize. \nThrough portraiture\, text\, and layered materials drawn from newspapers and public rhetoric\, this exhibition highlights both the brilliance of jazz and the cultural forces that once tried to suppress it. What was once feared became profitable. What was once dismissed became foundational. This show uses jazz as a lens to ask a broader question: What are we condemning today that we will eventually consume? \nJoin us at Axis Gallery\, located at 625 S Street in Sacramento’s historic R Street Corridor\, within the Verge Center for the Arts building. The gallery has exhibited innovative contemporary art for over 35 years and continues to serve as a vital space for artists to explore\, connect\, and share work outside the commercial sphere. \nABOUT THE ARTIST \nKenneth Jordan is a California based painter whose practice centers on large-scale works that command attention through bold composition\, layered materials\, and expressive use of color. His work explores the intersection of history and visual storytelling\, examining how cultural ideas evolve over time; how they are shaped\, challenged\, and ultimately redefined. Raised in a deeply creative environment\, Kenneth was influenced early on by a family of artists\, including his great uncle\, renown Disney animator Marc Davis\, whose contributions to classic Disney films helped shape his understanding of art as a powerful narrative force. \nWebsite: https://www.kennethjordanart.com\nInstagram: @k.jordanart
URL:https://artsalliancedavis.org/event/immoral-until-profitable-12/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/05/Jordan_Kenneth_MainShowImage-Kenneth-Jordan-y3Xm5B.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260628T170000
DTEND;TZID=America/Los_Angeles:20260628T200000
DTSTAMP:20260414T204835Z
CREATED:20260414T204835Z
LAST-MODIFIED:20260414T204835Z
UID:24832-1782666000-1782676800@artsalliancedavis.org
SUMMARY:Adding Stones to Rise A Group Exhibition of Sacramento-Based Artists
DESCRIPTION:Adding Stones to Rise\nA Group Exhibition of Sacramento-Based Artists\nArtist and Curator: Adero Willard \nMay 1 – May 29\, 2026\nSecond Saturday Reception: Saturday\, May 9\, 5–8 PM \nAdding Stones to Rise is a curated group exhibition bringing together Sacramento-based artists working across multiple media\, including painting\, printmaking\, ceramics\, sculpture\, and new media. The title was developed in response to the work and writings of the artists in the exhibition and to the regional presence of rivers that move through and around Sacramento. Water becomes a point of connection—flowing\, sustaining\, eroding\, nurturing\, and reshaping. It can lift\, carry\, overwhelm\, or renew. The flow of a river may also be understood simply as the movement of material through the earth. In this context\, adding stones may suggest burden\, accumulation\, protection\, labor\, or foundation; rising may evoke resistance\, healing\, survival\, visibility\, or change. \nArtists were selected to create a diversity of voice\, perspective\, process\, medium\, and identity\, speaking to the expansiveness of Blackness and representing a collective of varying experiences. Each point is distinct\, yet inseparable from the whole—reflecting how identity\, particularly Blackness\, can be understood as fluid\, relational\, and non-monolithic. \nAdding Stones to Rise centers the work of Black women and nonbinary artists—new to the region\, rooted here\, or returning. Together\, these artists offer a collective meditation on movement\, care\, resistance\, and transformation. This exhibition is one moment in an ongoing story. It is not the first of its kind\, and it will not be the last. \nCuratorial Note: As a curatorial framework\, stones\, water\, and rivers function as metaphors for ideas brought together in this space and may not reflect the specific themes or content of each artist’s work. \nParticipating Artists\nDebra Pitman\, Laurelin Gilmore\, Amari More\, Victoria Kinyanjui\, Khalia Morris\, Tasha Green\, Delgreta Brown\, Alex Lowe\, Sabrina Clark\, Tasha Nicole \nPress Contact\n[Adero Willard] [potterybyadero@gmail.com |
URL:https://artsalliancedavis.org/event/adding-stones-to-rise-a-group-exhibition-of-sacramento-based-artists-24/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/04/Adding-Stones-iT1pCg.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260628T180000
DTEND;TZID=America/Los_Angeles:20260628T191500
DTSTAMP:20260618T145258Z
CREATED:20260618T145258Z
LAST-MODIFIED:20260618T145258Z
UID:25872-1782669600-1782674100@artsalliancedavis.org
SUMMARY:Paint Date: Pride Edition!
DESCRIPTION:Celebrate Pride this month and bring your partner\, bestie\, boo\, platonic pal—or anyone who completes your dynamic duo—to this Paint Date! Follow the instructor’s step-by-step tutorial\, or go off-script andcreate your own unique masterpiece! \n● All art materials provided\n● Snacks and beverages available\n● Alcohol will be served at this event\n● Registration price covers two attendees; participants must register as a pair\n● Please arrive promptly by 6pm \nInstructor: Miss Rainbow (she/her)\nAGES 21+\nPrice: $70 per duo\nTime: 6:00-7:15pm\n(Alcohol will be served 6-6:15pm)\nWorkshop date:\nSaturday\, June 27 REGISTER HERE
URL:https://artsalliancedavis.org/event/paint-date-pride-edition/
LOCATION:1919 F St\, Davis CA\, 1919 F St\, Davis\, 95616\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/06/Paint-Date-Pride-Edition-2-EWvtih.jpg
ORGANIZER;CN="Davis Arts Center":MAILTO:office@davisartscenter.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260630T100000
DTEND;TZID=America/Los_Angeles:20260630T120000
DTSTAMP:20260519T185940Z
CREATED:20260519T185940Z
LAST-MODIFIED:20260519T185940Z
UID:25455-1782813600-1782820800@artsalliancedavis.org
SUMMARY:Intermediate Watercolor Painting with Misuk Goltz (6-Sessions)
DESCRIPTION:Intermediate Watercolor Painting with Misuk Goltz\nTuesdays\, 10 AM – 12 PM | Jun. 23\, 30 & Jul. 7\, 14\, 21\, 28\n$195 Members | $215 Non-Members (Materials not included) \nIn this 6-week course\, artist Misuk Goltz will guide you through essential watercolor techniques to help you paint your favorite subjects more expressively. Sessions will cover choosing inspiring subjects and methods for creating colors\, textures\, and values to elevate your art. Each class includes a critique of participants’ completed work\, live demonstrations\, and extended individual guidance. Please note that this class is intended for participants who already have some watercolor painting experience. \nRegister here: https://pencegallery.org/education/programs/workshops-and-classes/ \nAny questions? Email pencegallery@gmail.com. \n 
URL:https://artsalliancedavis.org/event/intermediate-watercolor-painting-with-misuk-goltz-6-sessions-8/
LOCATION:Pence Gallery\, 212 D St\, Davis\, CA\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/05/Misuk-Goltz-painting-1E9Kte.jpg
ORGANIZER;CN="Pence Gallery":MAILTO:pencesocialmedia@gmail.com
END:VEVENT
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