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DTSTART;TZID=America/Los_Angeles:20221012T193000
DTEND;TZID=America/Los_Angeles:20221012T193000
DTSTAMP:20221012T091351Z
CREATED:20221012T091351Z
LAST-MODIFIED:20221012T091351Z
UID:4049-1665603000-1665603000@artsalliancedavis.org
SUMMARY:Aida Cuevas at the Mondavi Center: Yo Creo Que Es Tiempo (45th Anniversary Performance)
DESCRIPTION:Cuevas has been a legendary and powerful voice in Mexican music for more than 40 years. Known as “The Queen of Mariachi\,” Cuevas was the first female mariachi singer to win a Grammy. Audiences adore Cuevas for her unswerving devotion to traditional mariachi music and for her mastery of its demanding vocal forms. This rousing celebratory concert will feature beloved hits like “El Pastor” and “México En La Piel.” She will also perform her greatest hits “Te Doy Las Gracias” and “Quizás Mañana.” \nPurchase your tickets here: [https://tickets.mondaviarts.org/7674]
URL:https://artsalliancedavis.org/event/aida-cuevas-at-the-mondavi-center-yo-creo-que-es-tiempo-45th-anniversary-performance/
LOCATION:Jackson Hall\, Mondavi Center
CATEGORIES:Music
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221014T190000
DTEND;TZID=America/Los_Angeles:20221014T200000
DTSTAMP:20221012T091426Z
CREATED:20221012T091426Z
LAST-MODIFIED:20221012T091426Z
UID:4071-1665774000-1665777600@artsalliancedavis.org
SUMMARY:UC Davis Symphony Orchestra: “Italian Journey”
DESCRIPTION:Christian Baldini\, director and conductor \nProgram \nHector Berlioz: Harold in Italy \nwith Wendy Richman\, viola \nHarold in Italy was brought about by a commission by the famous 19th century violinist Nicolo Paganini in 1834. Berlioz was commissioned by Paganini not for a violin concerto but for a work that would feature Paganini and his new Stradivarius viola. Paganini thought the viola solo was too simplistic when he saw the score and declined to give the premiere. But when he heard it performed (albeit four years later) he was so pleased he paid Berlioz 20\,000 francs anyway. \nThe title suggests a sort of tour of Italy\, as well as the 19th-century poem by Lord Byron\, “Childe Harold’s Pilgrimage.” The Harold in Byron’s poem gazes upon the city of Venice standing against the forces of nature\, while the Harold in Berlioz’s symphony travels the mountainous Abruzzo region of central Italy\, as Berlioz himself once did. Scholars agree the music is more autobiographical than an illustration of the Byron Poem. \nThe listener should keep in mind the character of Harold is the viola solo\, and in the first movement\, Harold in the Mountains\, Harold is wandering through the grandeur of the Abruzzi mountains outside of Rome. In the second Harold witnesses a March of the Pilgrims\, which shows off Berlioz’s ability to create an image of an orchestral procession coming toward and then away from the listener without ever moving; be sure to listen closely to the harp\, which indicates a distant ringing of the bell at the monastery. The third movement is a Serenade between two lovers\, and no doubt Harold had his new wife\, Harriet\, in mind. Of the fourth and final movement—Orgy of the Brigands—all of the themes collide in\, well\, a diabolical march. The historian Jacques Barzun astutely observed: “The brigand of Berlioz’s time is the avenger of social injustice\, the rebel against the City\, who resorts to nature for healing the wounds of social man.” \nWendy Richman has been celebrated internationally for her compelling sound and imaginative interpretations in a wide range of genres. Her debut solo album\, vox/viola (New Focus Recordings\, 2020)\, features nine commissioned works for singing violist by leading contemporary composers. She is a founding member of the International Contemporary Ensemble\, with whom she performs regularly in New York City and around the world\, and she has performed regularly with Orpheus Chamber Orchestra and the period instrument ensemble Tesserae. Dr. Richman is a faculty member at both UCLA and California State University-Northridge (CSUN)\, where she teaches a variety of academic music courses and applied viola\, and she is a sought-after clinician at universities and conservatories across the country.
URL:https://artsalliancedavis.org/event/uc-davis-symphony-orchestra-italian-journey/
LOCATION:Jackson Hall\, Mondavi Center
CATEGORIES:Music
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DTSTART;TZID=America/Los_Angeles:20221015T193000
DTEND;TZID=America/Los_Angeles:20221015T193000
DTSTAMP:20221012T091538Z
CREATED:20221012T091538Z
LAST-MODIFIED:20221012T091538Z
UID:4095-1665862200-1665862200@artsalliancedavis.org
SUMMARY:Mondavi Center: City of Birmingham Symphony Orchestra
DESCRIPTION:Vaughan Williams: Fantasia on a Theme by Thomas Tallis\nEdward Elgar: Cello Concerto in E Minor\, Op. 85\nMieczysław Weinberg: Jewish Rhapsody\, Op. 36 No 2\nClaude Debussy: La Mer  \nOne of the world’s great orchestras led by celebrated conductor Mirga Gražinytė-Tyla in a program of enduring favorites and new discoveries. From the churning impressionism of Debussy’s La Mer to soloist Sheku Kanneh-Mason\, a rising star from England\, shining on the Elgar Cello Concerto\, this will be an evening of unforgettable music-making. \nThe CBSO is grateful to Mr John Osborn for his exceptional generosity in making the tour possible. \nAdditional support has been provided by the Dunard Fund. \nPurchase your tickets for the concert here: [https://tickets.mondaviarts.org/7550/7551]
URL:https://artsalliancedavis.org/event/mondavi-center-city-of-birmingham-symphony-orchestra/
LOCATION:Jackson Hall\, Mondavi Center
CATEGORIES:Music
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221020T193000
DTEND;TZID=America/Los_Angeles:20221022T193000
DTSTAMP:20221015T111855Z
CREATED:20221015T111855Z
LAST-MODIFIED:20221015T111855Z
UID:4131-1666294200-1666467000@artsalliancedavis.org
SUMMARY:Connie Han Trio at the Mondavi Center Oct. 20\, 21\, and 22
DESCRIPTION:Weaving in and out of the jazz piano tradition\, Connie Han pays tribute to legends like McCoy Tyner\, Mulgrew Miller\, and Kenny Kirkland with her own unique edge at the piano. The New York Times describes her as “the rare musician with fearsome technical chops\, a breadth of historical knowledge\, and enough originality to write tunes that absorb your ear easily.” Her debut\, Crime Zone\, sounds nothing like a first album. And her follow-ups—Iron Starlet and the 2022 release Secrets of Inanna—prove her staying power. This is an artist who has absorbed the work of her heroes and emerged with her own powerful voice. \nShe will perform at 7:30 pm on Oct. 20\, Oct. 21\, and Oct. 22 at the Vanderhoef Studio Theater. \nPurchase your tickets here: [https://tickets.mondaviarts.org/7571]
URL:https://artsalliancedavis.org/event/connie-han-trio-at-the-mondavi-center-oct-20-21-and-22/
LOCATION:Vanderhoef Studio Theatre\, 400 Mrak Hall Dr
CATEGORIES:Music
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221021T193000
DTEND;TZID=America/Los_Angeles:20221022T170000
DTSTAMP:20221015T111905Z
CREATED:20221015T111905Z
LAST-MODIFIED:20221015T111905Z
UID:4137-1666380600-1666458000@artsalliancedavis.org
SUMMARY:“Prince Hamlet” at the Mondavi Center
DESCRIPTION:Director Ravi Jain’s remixed\, reimagined\, and bilingual Prince Hamlet features a cross-cultural\, gender-bent cast. This rendition challenges traditional ideas of who can tell this story. \nInterweaving Shakespeare’s spoken text with heightened and poetic American Sign Language\, this groundbreaking production creates a visually stunning retelling for both hearing and Deaf audiences. You’ve never experienced Hamlet like this before. \nYou can watch this magnificent play on Oct. 21 and Oct. 22 at 7:30 pm. \nPurchase your tickets here: [https://www.mondaviarts.org/event/2022-23/prince-hamlet]
URL:https://artsalliancedavis.org/event/prince-hamlet-at-the-mondavi-center/
LOCATION:Jackson Hall\, Mondavi Center
CATEGORIES:Stage & Dance
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221029T193000
DTEND;TZID=America/Los_Angeles:20221029T193000
DTSTAMP:20221021T225717Z
CREATED:20221021T225717Z
LAST-MODIFIED:20221021T225717Z
UID:4263-1667071800-1667071800@artsalliancedavis.org
SUMMARY:Nella Rojas at the Mondavi Center
DESCRIPTION:Nella Rojas\, voice\nGilad Barakan\, guitar\nParker McAllister\, bass\nJaylen Petinaud\, drums \nNella’s music is a meeting place for her Venezuelan folklore roots\, the influence of her contemporaries\, and the music of the Andalusian region. Nella was born in Isla Margarita\, an island off the northeastern coast of Venezuela. She has performed with artists such as Alejandro Sanz\, Jennifer Lopez\, Susana Baca\, Carlos Vives\, and many more. Her debut album\, Voy\, produced by Javier Limón\, earned her a Latin Grammy Award for Best New Artist and her hit song “Me Llaman Nella” has collected millions of Spotify and YouTube streams. Her follow-up\, Doce Margaritas\, captured an artist pushing new boundaries. The New York Times calls her a singer “who can convey flamenco tension even in a near whisper.” This is a rare chance to see an emerging superstar in the flush of her early career. \nPurchase your tickets here: [https://tickets.mondaviarts.org/7677/7678]
URL:https://artsalliancedavis.org/event/nella-rojas-at-the-mondavi-center/
LOCATION:Jackson Hall\, Mondavi Center
CATEGORIES:Music
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