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DTSTART;TZID=America/Los_Angeles:20260703T120000
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DTSTAMP:20260623T162328Z
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SUMMARY:Who are Orientals: Magenta Realism
DESCRIPTION:SHARON TSAO\nWHO ARE ORIENTALS: MAGENTA REALISM\nJuly 3 – August 2\, 2026\nSecond Saturday Reception: July 11\, 5–8 PM \nAbout forty years ago\, when I first came to California\, I was told that I was “Oriental.” I was also told that certain tables and chests were “Oriental\,” and that a particular decorative style was likewise considered “Oriental\,” even though these things looked unfamiliar to me. \nThe works in this exhibition are largely produced in what I was told is an “Oriental” style or manner. They originate from dried Boston ivy vines resembling twisted tree branches\, gathered after years of growth without human intervention and coated with an artificial magenta surface. \nThe application of magenta coating violently interrupts this natural index. Historically\, magenta is among the first fully synthetic modern pigments\, inseparable from industrial chemistry\, mechanical reproduction\, and the chromatic excess of modernity. Here\, color no longer functions descriptively\, but operatively. The magenta surface transforms the dead vines into unstable signs oscillating between the imagined seductions of the “Oriental” and the chromatic excess of industrial modernity\, between contamination and ritual\, and between transcendence and artifice. If the branches retain the temporality of decay\, the color introduces what Jean Baudrillard might describe as the logic of simulation: reality intensified precisely through its artificiality. \nThe works also echo a reversed form of classical Chinese literati aesthetics. Where traditional literati painting often pursued “compression through weathered emptiness” — reducing the world into ink\, void\, and gesture — these works enact a compression through chromatic saturation. The tangled vine becomes a condensed structure of historical memory\, while magenta operates almost as a contemporary counterpart to ink: not natural\, but hyper-artificial; not withdrawn\, but aggressively present. \nSuspended between objecthood and theatricality\, ruin and ornament\, realism and hallucination\, the works propose a different understanding of realism itself. Reality here is not achieved through representation\, but through direct material presence complicated by cultural coding\, synthetic color\, and the unstable perceptual systems through which contemporary viewers encounter nature. \nJoin us at Axis Gallery\, located at 625 S Street in Sacramento’s historic R Street Corridor\, within the Verge Center for the Arts building. The gallery has exhibited innovative contemporary art for over 35 years and continues to serve as a vital space for artists to explore\, connect\, and share work outside the commercial sphere.\nGallery hours: Friday–Sunday\, 12–5 PM \nABOUT THE ARTIST \nSharon Tsao is a sculptor\, art historian\, and educator whose work explores the intersections of nature\, memory\, cultural identity\, and material transformation. She received a B.A. in Sculpture from the China Academy of Art in 1982 and earned a Ph.D. in Art History from Stanford University in 1996. Tsao has taught Art History at Postsecondary Educational institutions\, where she supervised graduate research in art history.\nHer works have been exhibited\, collected\, and auctioned internationally\, and are held in private and public collections in Asia\, North America\, and Europe.
URL:https://artsalliancedavis.org/event/who-are-orientals-magenta-realism/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/06/Tsao-Magenta-Realism-1.docx-H-Tsao-YvHT90.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260704T120000
DTEND;TZID=America/Los_Angeles:20260704T170000
DTSTAMP:20260623T162354Z
CREATED:20260623T162354Z
LAST-MODIFIED:20260623T162354Z
UID:25944-1783166400-1783184400@artsalliancedavis.org
SUMMARY:Who are Orientals: Magenta Realism
DESCRIPTION:SHARON TSAO\nWHO ARE ORIENTALS: MAGENTA REALISM\nJuly 3 – August 2\, 2026\nSecond Saturday Reception: July 11\, 5–8 PM \nAbout forty years ago\, when I first came to California\, I was told that I was “Oriental.” I was also told that certain tables and chests were “Oriental\,” and that a particular decorative style was likewise considered “Oriental\,” even though these things looked unfamiliar to me. \nThe works in this exhibition are largely produced in what I was told is an “Oriental” style or manner. They originate from dried Boston ivy vines resembling twisted tree branches\, gathered after years of growth without human intervention and coated with an artificial magenta surface. \nThe application of magenta coating violently interrupts this natural index. Historically\, magenta is among the first fully synthetic modern pigments\, inseparable from industrial chemistry\, mechanical reproduction\, and the chromatic excess of modernity. Here\, color no longer functions descriptively\, but operatively. The magenta surface transforms the dead vines into unstable signs oscillating between the imagined seductions of the “Oriental” and the chromatic excess of industrial modernity\, between contamination and ritual\, and between transcendence and artifice. If the branches retain the temporality of decay\, the color introduces what Jean Baudrillard might describe as the logic of simulation: reality intensified precisely through its artificiality. \nThe works also echo a reversed form of classical Chinese literati aesthetics. Where traditional literati painting often pursued “compression through weathered emptiness” — reducing the world into ink\, void\, and gesture — these works enact a compression through chromatic saturation. The tangled vine becomes a condensed structure of historical memory\, while magenta operates almost as a contemporary counterpart to ink: not natural\, but hyper-artificial; not withdrawn\, but aggressively present. \nSuspended between objecthood and theatricality\, ruin and ornament\, realism and hallucination\, the works propose a different understanding of realism itself. Reality here is not achieved through representation\, but through direct material presence complicated by cultural coding\, synthetic color\, and the unstable perceptual systems through which contemporary viewers encounter nature. \nJoin us at Axis Gallery\, located at 625 S Street in Sacramento’s historic R Street Corridor\, within the Verge Center for the Arts building. The gallery has exhibited innovative contemporary art for over 35 years and continues to serve as a vital space for artists to explore\, connect\, and share work outside the commercial sphere.\nGallery hours: Friday–Sunday\, 12–5 PM \nABOUT THE ARTIST \nSharon Tsao is a sculptor\, art historian\, and educator whose work explores the intersections of nature\, memory\, cultural identity\, and material transformation. She received a B.A. in Sculpture from the China Academy of Art in 1982 and earned a Ph.D. in Art History from Stanford University in 1996. Tsao has taught Art History at Postsecondary Educational institutions\, where she supervised graduate research in art history.\nHer works have been exhibited\, collected\, and auctioned internationally\, and are held in private and public collections in Asia\, North America\, and Europe.
URL:https://artsalliancedavis.org/event/who-are-orientals-magenta-realism-2/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/06/Tsao-Magenta-Realism-1.docx-H-Tsao-YvHT90.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260705T120000
DTEND;TZID=America/Los_Angeles:20260705T170000
DTSTAMP:20260623T162411Z
CREATED:20260623T162411Z
LAST-MODIFIED:20260623T162411Z
UID:25945-1783252800-1783270800@artsalliancedavis.org
SUMMARY:Who are Orientals: Magenta Realism
DESCRIPTION:SHARON TSAO\nWHO ARE ORIENTALS: MAGENTA REALISM\nJuly 3 – August 2\, 2026\nSecond Saturday Reception: July 11\, 5–8 PM \nAbout forty years ago\, when I first came to California\, I was told that I was “Oriental.” I was also told that certain tables and chests were “Oriental\,” and that a particular decorative style was likewise considered “Oriental\,” even though these things looked unfamiliar to me. \nThe works in this exhibition are largely produced in what I was told is an “Oriental” style or manner. They originate from dried Boston ivy vines resembling twisted tree branches\, gathered after years of growth without human intervention and coated with an artificial magenta surface. \nThe application of magenta coating violently interrupts this natural index. Historically\, magenta is among the first fully synthetic modern pigments\, inseparable from industrial chemistry\, mechanical reproduction\, and the chromatic excess of modernity. Here\, color no longer functions descriptively\, but operatively. The magenta surface transforms the dead vines into unstable signs oscillating between the imagined seductions of the “Oriental” and the chromatic excess of industrial modernity\, between contamination and ritual\, and between transcendence and artifice. If the branches retain the temporality of decay\, the color introduces what Jean Baudrillard might describe as the logic of simulation: reality intensified precisely through its artificiality. \nThe works also echo a reversed form of classical Chinese literati aesthetics. Where traditional literati painting often pursued “compression through weathered emptiness” — reducing the world into ink\, void\, and gesture — these works enact a compression through chromatic saturation. The tangled vine becomes a condensed structure of historical memory\, while magenta operates almost as a contemporary counterpart to ink: not natural\, but hyper-artificial; not withdrawn\, but aggressively present. \nSuspended between objecthood and theatricality\, ruin and ornament\, realism and hallucination\, the works propose a different understanding of realism itself. Reality here is not achieved through representation\, but through direct material presence complicated by cultural coding\, synthetic color\, and the unstable perceptual systems through which contemporary viewers encounter nature. \nJoin us at Axis Gallery\, located at 625 S Street in Sacramento’s historic R Street Corridor\, within the Verge Center for the Arts building. The gallery has exhibited innovative contemporary art for over 35 years and continues to serve as a vital space for artists to explore\, connect\, and share work outside the commercial sphere.\nGallery hours: Friday–Sunday\, 12–5 PM \nABOUT THE ARTIST \nSharon Tsao is a sculptor\, art historian\, and educator whose work explores the intersections of nature\, memory\, cultural identity\, and material transformation. She received a B.A. in Sculpture from the China Academy of Art in 1982 and earned a Ph.D. in Art History from Stanford University in 1996. Tsao has taught Art History at Postsecondary Educational institutions\, where she supervised graduate research in art history.\nHer works have been exhibited\, collected\, and auctioned internationally\, and are held in private and public collections in Asia\, North America\, and Europe.
URL:https://artsalliancedavis.org/event/who-are-orientals-magenta-realism-3/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/06/Tsao-Magenta-Realism-1.docx-H-Tsao-YvHT90.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260710T120000
DTEND;TZID=America/Los_Angeles:20260710T170000
DTSTAMP:20260623T162524Z
CREATED:20260623T162524Z
LAST-MODIFIED:20260623T162524Z
UID:25950-1783684800-1783702800@artsalliancedavis.org
SUMMARY:Who are Orientals: Magenta Realism
DESCRIPTION:SHARON TSAO\nWHO ARE ORIENTALS: MAGENTA REALISM\nJuly 3 – August 2\, 2026\nSecond Saturday Reception: July 11\, 5–8 PM \nAbout forty years ago\, when I first came to California\, I was told that I was “Oriental.” I was also told that certain tables and chests were “Oriental\,” and that a particular decorative style was likewise considered “Oriental\,” even though these things looked unfamiliar to me. \nThe works in this exhibition are largely produced in what I was told is an “Oriental” style or manner. They originate from dried Boston ivy vines resembling twisted tree branches\, gathered after years of growth without human intervention and coated with an artificial magenta surface. \nThe application of magenta coating violently interrupts this natural index. Historically\, magenta is among the first fully synthetic modern pigments\, inseparable from industrial chemistry\, mechanical reproduction\, and the chromatic excess of modernity. Here\, color no longer functions descriptively\, but operatively. The magenta surface transforms the dead vines into unstable signs oscillating between the imagined seductions of the “Oriental” and the chromatic excess of industrial modernity\, between contamination and ritual\, and between transcendence and artifice. If the branches retain the temporality of decay\, the color introduces what Jean Baudrillard might describe as the logic of simulation: reality intensified precisely through its artificiality. \nThe works also echo a reversed form of classical Chinese literati aesthetics. Where traditional literati painting often pursued “compression through weathered emptiness” — reducing the world into ink\, void\, and gesture — these works enact a compression through chromatic saturation. The tangled vine becomes a condensed structure of historical memory\, while magenta operates almost as a contemporary counterpart to ink: not natural\, but hyper-artificial; not withdrawn\, but aggressively present. \nSuspended between objecthood and theatricality\, ruin and ornament\, realism and hallucination\, the works propose a different understanding of realism itself. Reality here is not achieved through representation\, but through direct material presence complicated by cultural coding\, synthetic color\, and the unstable perceptual systems through which contemporary viewers encounter nature. \nJoin us at Axis Gallery\, located at 625 S Street in Sacramento’s historic R Street Corridor\, within the Verge Center for the Arts building. The gallery has exhibited innovative contemporary art for over 35 years and continues to serve as a vital space for artists to explore\, connect\, and share work outside the commercial sphere.\nGallery hours: Friday–Sunday\, 12–5 PM \nABOUT THE ARTIST \nSharon Tsao is a sculptor\, art historian\, and educator whose work explores the intersections of nature\, memory\, cultural identity\, and material transformation. She received a B.A. in Sculpture from the China Academy of Art in 1982 and earned a Ph.D. in Art History from Stanford University in 1996. Tsao has taught Art History at Postsecondary Educational institutions\, where she supervised graduate research in art history.\nHer works have been exhibited\, collected\, and auctioned internationally\, and are held in private and public collections in Asia\, North America\, and Europe.
URL:https://artsalliancedavis.org/event/who-are-orientals-magenta-realism-4/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/06/Tsao-Magenta-Realism-1.docx-H-Tsao-YvHT90.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260711T120000
DTEND;TZID=America/Los_Angeles:20260711T170000
DTSTAMP:20260624T163729Z
CREATED:20260624T163729Z
LAST-MODIFIED:20260624T163729Z
UID:25959-1783771200-1783789200@artsalliancedavis.org
SUMMARY:Who are Orientals: Magenta Realism
DESCRIPTION:SHARON TSAO\nWHO ARE ORIENTALS: MAGENTA REALISM\nJuly 3 – August 2\, 2026\nSecond Saturday Reception: July 11\, 5–8 PM \nAbout forty years ago\, when I first came to California\, I was told that I was “Oriental.” I was also told that certain tables and chests were “Oriental\,” and that a particular decorative style was likewise considered “Oriental\,” even though these things looked unfamiliar to me. \nThe works in this exhibition are largely produced in what I was told is an “Oriental” style or manner. They originate from dried Boston ivy vines resembling twisted tree branches\, gathered after years of growth without human intervention and coated with an artificial magenta surface. \nThe application of magenta coating violently interrupts this natural index. Historically\, magenta is among the first fully synthetic modern pigments\, inseparable from industrial chemistry\, mechanical reproduction\, and the chromatic excess of modernity. Here\, color no longer functions descriptively\, but operatively. The magenta surface transforms the dead vines into unstable signs oscillating between the imagined seductions of the “Oriental” and the chromatic excess of industrial modernity\, between contamination and ritual\, and between transcendence and artifice. If the branches retain the temporality of decay\, the color introduces what Jean Baudrillard might describe as the logic of simulation: reality intensified precisely through its artificiality. \nThe works also echo a reversed form of classical Chinese literati aesthetics. Where traditional literati painting often pursued “compression through weathered emptiness” — reducing the world into ink\, void\, and gesture — these works enact a compression through chromatic saturation. The tangled vine becomes a condensed structure of historical memory\, while magenta operates almost as a contemporary counterpart to ink: not natural\, but hyper-artificial; not withdrawn\, but aggressively present. \nSuspended between objecthood and theatricality\, ruin and ornament\, realism and hallucination\, the works propose a different understanding of realism itself. Reality here is not achieved through representation\, but through direct material presence complicated by cultural coding\, synthetic color\, and the unstable perceptual systems through which contemporary viewers encounter nature. \nJoin us at Axis Gallery\, located at 625 S Street in Sacramento’s historic R Street Corridor\, within the Verge Center for the Arts building. The gallery has exhibited innovative contemporary art for over 35 years and continues to serve as a vital space for artists to explore\, connect\, and share work outside the commercial sphere.\nGallery hours: Friday–Sunday\, 12–5 PM \nABOUT THE ARTIST \nSharon Tsao is a sculptor\, art historian\, and educator whose work explores the intersections of nature\, memory\, cultural identity\, and material transformation. She received a B.A. in Sculpture from the China Academy of Art in 1982 and earned a Ph.D. in Art History from Stanford University in 1996. Tsao has taught Art History at Postsecondary Educational institutions\, where she supervised graduate research in art history.\nHer works have been exhibited\, collected\, and auctioned internationally\, and are held in private and public collections in Asia\, North America\, and Europe.
URL:https://artsalliancedavis.org/event/who-are-orientals-magenta-realism-5/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/06/Tsao-Magenta-Realism-1.docx-H-Tsao-YvHT90.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260711T170000
DTEND;TZID=America/Los_Angeles:20260711T200000
DTSTAMP:20260624T163730Z
CREATED:20260624T163730Z
LAST-MODIFIED:20260624T163730Z
UID:25960-1783789200-1783800000@artsalliancedavis.org
SUMMARY:Reception for Who are Orientals: Magenta Realism
DESCRIPTION:SHARON TSAO\nWHO ARE ORIENTALS: MAGENTA REALISM\nJuly 3 – August 2\, 2026\nSecond Saturday Reception: July 11\, 5–8 PM \nAbout forty years ago\, when I first came to California\, I was told that I was “Oriental.” I was also told that certain tables and chests were “Oriental\,” and that a particular decorative style was likewise considered “Oriental\,” even though these things looked unfamiliar to me. \nThe works in this exhibition are largely produced in what I was told is an “Oriental” style or manner. They originate from dried Boston ivy vines resembling twisted tree branches\, gathered after years of growth without human intervention and coated with an artificial magenta surface. \nThe application of magenta coating violently interrupts this natural index. Historically\, magenta is among the first fully synthetic modern pigments\, inseparable from industrial chemistry\, mechanical reproduction\, and the chromatic excess of modernity. Here\, color no longer functions descriptively\, but operatively. The magenta surface transforms the dead vines into unstable signs oscillating between the imagined seductions of the “Oriental” and the chromatic excess of industrial modernity\, between contamination and ritual\, and between transcendence and artifice. If the branches retain the temporality of decay\, the color introduces what Jean Baudrillard might describe as the logic of simulation: reality intensified precisely through its artificiality. \nThe works also echo a reversed form of classical Chinese literati aesthetics. Where traditional literati painting often pursued “compression through weathered emptiness” — reducing the world into ink\, void\, and gesture — these works enact a compression through chromatic saturation. The tangled vine becomes a condensed structure of historical memory\, while magenta operates almost as a contemporary counterpart to ink: not natural\, but hyper-artificial; not withdrawn\, but aggressively present. \nSuspended between objecthood and theatricality\, ruin and ornament\, realism and hallucination\, the works propose a different understanding of realism itself. Reality here is not achieved through representation\, but through direct material presence complicated by cultural coding\, synthetic color\, and the unstable perceptual systems through which contemporary viewers encounter nature. \nJoin us at Axis Gallery\, located at 625 S Street in Sacramento’s historic R Street Corridor\, within the Verge Center for the Arts building. The gallery has exhibited innovative contemporary art for over 35 years and continues to serve as a vital space for artists to explore\, connect\, and share work outside the commercial sphere.\nGallery hours: Friday–Sunday\, 12–5 PM \nABOUT THE ARTIST \nSharon Tsao is a sculptor\, art historian\, and educator whose work explores the intersections of nature\, memory\, cultural identity\, and material transformation. She received a B.A. in Sculpture from the China Academy of Art in 1982 and earned a Ph.D. in Art History from Stanford University in 1996. Tsao has taught Art History at Postsecondary Educational institutions\, where she supervised graduate research in art history.\nHer works have been exhibited\, collected\, and auctioned internationally\, and are held in private and public collections in Asia\, North America\, and Europe.
URL:https://artsalliancedavis.org/event/reception-for-who-are-orientals-magenta-realism/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/06/Tsao-Magenta-Realism-1.docx-H-Tsao-YvHT90.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260712T120000
DTEND;TZID=America/Los_Angeles:20260712T170000
DTSTAMP:20260624T163756Z
CREATED:20260624T163756Z
LAST-MODIFIED:20260624T163756Z
UID:25963-1783857600-1783875600@artsalliancedavis.org
SUMMARY:Who are Orientals: Magenta Realism
DESCRIPTION:SHARON TSAO\nWHO ARE ORIENTALS: MAGENTA REALISM\nJuly 3 – August 2\, 2026\nSecond Saturday Reception: July 11\, 5–8 PM \nAbout forty years ago\, when I first came to California\, I was told that I was “Oriental.” I was also told that certain tables and chests were “Oriental\,” and that a particular decorative style was likewise considered “Oriental\,” even though these things looked unfamiliar to me. \nThe works in this exhibition are largely produced in what I was told is an “Oriental” style or manner. They originate from dried Boston ivy vines resembling twisted tree branches\, gathered after years of growth without human intervention and coated with an artificial magenta surface. \nThe application of magenta coating violently interrupts this natural index. Historically\, magenta is among the first fully synthetic modern pigments\, inseparable from industrial chemistry\, mechanical reproduction\, and the chromatic excess of modernity. Here\, color no longer functions descriptively\, but operatively. The magenta surface transforms the dead vines into unstable signs oscillating between the imagined seductions of the “Oriental” and the chromatic excess of industrial modernity\, between contamination and ritual\, and between transcendence and artifice. If the branches retain the temporality of decay\, the color introduces what Jean Baudrillard might describe as the logic of simulation: reality intensified precisely through its artificiality. \nThe works also echo a reversed form of classical Chinese literati aesthetics. Where traditional literati painting often pursued “compression through weathered emptiness” — reducing the world into ink\, void\, and gesture — these works enact a compression through chromatic saturation. The tangled vine becomes a condensed structure of historical memory\, while magenta operates almost as a contemporary counterpart to ink: not natural\, but hyper-artificial; not withdrawn\, but aggressively present. \nSuspended between objecthood and theatricality\, ruin and ornament\, realism and hallucination\, the works propose a different understanding of realism itself. Reality here is not achieved through representation\, but through direct material presence complicated by cultural coding\, synthetic color\, and the unstable perceptual systems through which contemporary viewers encounter nature. \nJoin us at Axis Gallery\, located at 625 S Street in Sacramento’s historic R Street Corridor\, within the Verge Center for the Arts building. The gallery has exhibited innovative contemporary art for over 35 years and continues to serve as a vital space for artists to explore\, connect\, and share work outside the commercial sphere.\nGallery hours: Friday–Sunday\, 12–5 PM \nABOUT THE ARTIST \nSharon Tsao is a sculptor\, art historian\, and educator whose work explores the intersections of nature\, memory\, cultural identity\, and material transformation. She received a B.A. in Sculpture from the China Academy of Art in 1982 and earned a Ph.D. in Art History from Stanford University in 1996. Tsao has taught Art History at Postsecondary Educational institutions\, where she supervised graduate research in art history.\nHer works have been exhibited\, collected\, and auctioned internationally\, and are held in private and public collections in Asia\, North America\, and Europe.
URL:https://artsalliancedavis.org/event/who-are-orientals-magenta-realism-6/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/06/Tsao-Magenta-Realism-1.docx-H-Tsao-YvHT90.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260717T120000
DTEND;TZID=America/Los_Angeles:20260717T170000
DTSTAMP:20260624T163902Z
CREATED:20260624T163902Z
LAST-MODIFIED:20260624T163902Z
UID:25970-1784289600-1784307600@artsalliancedavis.org
SUMMARY:Who are Orientals: Magenta Realism
DESCRIPTION:SHARON TSAO\nWHO ARE ORIENTALS: MAGENTA REALISM\nJuly 3 – August 2\, 2026\nSecond Saturday Reception: July 11\, 5–8 PM \nAbout forty years ago\, when I first came to California\, I was told that I was “Oriental.” I was also told that certain tables and chests were “Oriental\,” and that a particular decorative style was likewise considered “Oriental\,” even though these things looked unfamiliar to me. \nThe works in this exhibition are largely produced in what I was told is an “Oriental” style or manner. They originate from dried Boston ivy vines resembling twisted tree branches\, gathered after years of growth without human intervention and coated with an artificial magenta surface. \nThe application of magenta coating violently interrupts this natural index. Historically\, magenta is among the first fully synthetic modern pigments\, inseparable from industrial chemistry\, mechanical reproduction\, and the chromatic excess of modernity. Here\, color no longer functions descriptively\, but operatively. The magenta surface transforms the dead vines into unstable signs oscillating between the imagined seductions of the “Oriental” and the chromatic excess of industrial modernity\, between contamination and ritual\, and between transcendence and artifice. If the branches retain the temporality of decay\, the color introduces what Jean Baudrillard might describe as the logic of simulation: reality intensified precisely through its artificiality. \nThe works also echo a reversed form of classical Chinese literati aesthetics. Where traditional literati painting often pursued “compression through weathered emptiness” — reducing the world into ink\, void\, and gesture — these works enact a compression through chromatic saturation. The tangled vine becomes a condensed structure of historical memory\, while magenta operates almost as a contemporary counterpart to ink: not natural\, but hyper-artificial; not withdrawn\, but aggressively present. \nSuspended between objecthood and theatricality\, ruin and ornament\, realism and hallucination\, the works propose a different understanding of realism itself. Reality here is not achieved through representation\, but through direct material presence complicated by cultural coding\, synthetic color\, and the unstable perceptual systems through which contemporary viewers encounter nature. \nJoin us at Axis Gallery\, located at 625 S Street in Sacramento’s historic R Street Corridor\, within the Verge Center for the Arts building. The gallery has exhibited innovative contemporary art for over 35 years and continues to serve as a vital space for artists to explore\, connect\, and share work outside the commercial sphere.\nGallery hours: Friday–Sunday\, 12–5 PM \nABOUT THE ARTIST \nSharon Tsao is a sculptor\, art historian\, and educator whose work explores the intersections of nature\, memory\, cultural identity\, and material transformation. She received a B.A. in Sculpture from the China Academy of Art in 1982 and earned a Ph.D. in Art History from Stanford University in 1996. Tsao has taught Art History at Postsecondary Educational institutions\, where she supervised graduate research in art history.\nHer works have been exhibited\, collected\, and auctioned internationally\, and are held in private and public collections in Asia\, North America\, and Europe.
URL:https://artsalliancedavis.org/event/who-are-orientals-magenta-realism-7/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/06/Tsao-Magenta-Realism-1.docx-H-Tsao-YvHT90.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260718T120000
DTEND;TZID=America/Los_Angeles:20260718T170000
DTSTAMP:20260624T163934Z
CREATED:20260624T163934Z
LAST-MODIFIED:20260624T163934Z
UID:25971-1784376000-1784394000@artsalliancedavis.org
SUMMARY:Who are Orientals: Magenta Realism
DESCRIPTION:SHARON TSAO\nWHO ARE ORIENTALS: MAGENTA REALISM\nJuly 3 – August 2\, 2026\nSecond Saturday Reception: July 11\, 5–8 PM \nAbout forty years ago\, when I first came to California\, I was told that I was “Oriental.” I was also told that certain tables and chests were “Oriental\,” and that a particular decorative style was likewise considered “Oriental\,” even though these things looked unfamiliar to me. \nThe works in this exhibition are largely produced in what I was told is an “Oriental” style or manner. They originate from dried Boston ivy vines resembling twisted tree branches\, gathered after years of growth without human intervention and coated with an artificial magenta surface. \nThe application of magenta coating violently interrupts this natural index. Historically\, magenta is among the first fully synthetic modern pigments\, inseparable from industrial chemistry\, mechanical reproduction\, and the chromatic excess of modernity. Here\, color no longer functions descriptively\, but operatively. The magenta surface transforms the dead vines into unstable signs oscillating between the imagined seductions of the “Oriental” and the chromatic excess of industrial modernity\, between contamination and ritual\, and between transcendence and artifice. If the branches retain the temporality of decay\, the color introduces what Jean Baudrillard might describe as the logic of simulation: reality intensified precisely through its artificiality. \nThe works also echo a reversed form of classical Chinese literati aesthetics. Where traditional literati painting often pursued “compression through weathered emptiness” — reducing the world into ink\, void\, and gesture — these works enact a compression through chromatic saturation. The tangled vine becomes a condensed structure of historical memory\, while magenta operates almost as a contemporary counterpart to ink: not natural\, but hyper-artificial; not withdrawn\, but aggressively present. \nSuspended between objecthood and theatricality\, ruin and ornament\, realism and hallucination\, the works propose a different understanding of realism itself. Reality here is not achieved through representation\, but through direct material presence complicated by cultural coding\, synthetic color\, and the unstable perceptual systems through which contemporary viewers encounter nature. \nJoin us at Axis Gallery\, located at 625 S Street in Sacramento’s historic R Street Corridor\, within the Verge Center for the Arts building. The gallery has exhibited innovative contemporary art for over 35 years and continues to serve as a vital space for artists to explore\, connect\, and share work outside the commercial sphere.\nGallery hours: Friday–Sunday\, 12–5 PM \nABOUT THE ARTIST \nSharon Tsao is a sculptor\, art historian\, and educator whose work explores the intersections of nature\, memory\, cultural identity\, and material transformation. She received a B.A. in Sculpture from the China Academy of Art in 1982 and earned a Ph.D. in Art History from Stanford University in 1996. Tsao has taught Art History at Postsecondary Educational institutions\, where she supervised graduate research in art history.\nHer works have been exhibited\, collected\, and auctioned internationally\, and are held in private and public collections in Asia\, North America\, and Europe.
URL:https://artsalliancedavis.org/event/who-are-orientals-magenta-realism-8/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/06/Tsao-Magenta-Realism-1.docx-H-Tsao-YvHT90.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260719T120000
DTEND;TZID=America/Los_Angeles:20260719T170000
DTSTAMP:20260624T163955Z
CREATED:20260624T163955Z
LAST-MODIFIED:20260624T163955Z
UID:25974-1784462400-1784480400@artsalliancedavis.org
SUMMARY:Who are Orientals: Magenta Realism
DESCRIPTION:SHARON TSAO\nWHO ARE ORIENTALS: MAGENTA REALISM\nJuly 3 – August 2\, 2026\nSecond Saturday Reception: July 11\, 5–8 PM \nAbout forty years ago\, when I first came to California\, I was told that I was “Oriental.” I was also told that certain tables and chests were “Oriental\,” and that a particular decorative style was likewise considered “Oriental\,” even though these things looked unfamiliar to me. \nThe works in this exhibition are largely produced in what I was told is an “Oriental” style or manner. They originate from dried Boston ivy vines resembling twisted tree branches\, gathered after years of growth without human intervention and coated with an artificial magenta surface. \nThe application of magenta coating violently interrupts this natural index. Historically\, magenta is among the first fully synthetic modern pigments\, inseparable from industrial chemistry\, mechanical reproduction\, and the chromatic excess of modernity. Here\, color no longer functions descriptively\, but operatively. The magenta surface transforms the dead vines into unstable signs oscillating between the imagined seductions of the “Oriental” and the chromatic excess of industrial modernity\, between contamination and ritual\, and between transcendence and artifice. If the branches retain the temporality of decay\, the color introduces what Jean Baudrillard might describe as the logic of simulation: reality intensified precisely through its artificiality. \nThe works also echo a reversed form of classical Chinese literati aesthetics. Where traditional literati painting often pursued “compression through weathered emptiness” — reducing the world into ink\, void\, and gesture — these works enact a compression through chromatic saturation. The tangled vine becomes a condensed structure of historical memory\, while magenta operates almost as a contemporary counterpart to ink: not natural\, but hyper-artificial; not withdrawn\, but aggressively present. \nSuspended between objecthood and theatricality\, ruin and ornament\, realism and hallucination\, the works propose a different understanding of realism itself. Reality here is not achieved through representation\, but through direct material presence complicated by cultural coding\, synthetic color\, and the unstable perceptual systems through which contemporary viewers encounter nature. \nJoin us at Axis Gallery\, located at 625 S Street in Sacramento’s historic R Street Corridor\, within the Verge Center for the Arts building. The gallery has exhibited innovative contemporary art for over 35 years and continues to serve as a vital space for artists to explore\, connect\, and share work outside the commercial sphere.\nGallery hours: Friday–Sunday\, 12–5 PM \nABOUT THE ARTIST \nSharon Tsao is a sculptor\, art historian\, and educator whose work explores the intersections of nature\, memory\, cultural identity\, and material transformation. She received a B.A. in Sculpture from the China Academy of Art in 1982 and earned a Ph.D. in Art History from Stanford University in 1996. Tsao has taught Art History at Postsecondary Educational institutions\, where she supervised graduate research in art history.\nHer works have been exhibited\, collected\, and auctioned internationally\, and are held in private and public collections in Asia\, North America\, and Europe.
URL:https://artsalliancedavis.org/event/who-are-orientals-magenta-realism-9/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/06/Tsao-Magenta-Realism-1.docx-H-Tsao-YvHT90.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260724T120000
DTEND;TZID=America/Los_Angeles:20260724T170000
DTSTAMP:20260624T164100Z
CREATED:20260624T164100Z
LAST-MODIFIED:20260624T164100Z
UID:25979-1784894400-1784912400@artsalliancedavis.org
SUMMARY:Who are Orientals: Magenta Realism
DESCRIPTION:SHARON TSAO\nWHO ARE ORIENTALS: MAGENTA REALISM\nJuly 3 – August 2\, 2026\nSecond Saturday Reception: July 11\, 5–8 PM \nAbout forty years ago\, when I first came to California\, I was told that I was “Oriental.” I was also told that certain tables and chests were “Oriental\,” and that a particular decorative style was likewise considered “Oriental\,” even though these things looked unfamiliar to me. \nThe works in this exhibition are largely produced in what I was told is an “Oriental” style or manner. They originate from dried Boston ivy vines resembling twisted tree branches\, gathered after years of growth without human intervention and coated with an artificial magenta surface. \nThe application of magenta coating violently interrupts this natural index. Historically\, magenta is among the first fully synthetic modern pigments\, inseparable from industrial chemistry\, mechanical reproduction\, and the chromatic excess of modernity. Here\, color no longer functions descriptively\, but operatively. The magenta surface transforms the dead vines into unstable signs oscillating between the imagined seductions of the “Oriental” and the chromatic excess of industrial modernity\, between contamination and ritual\, and between transcendence and artifice. If the branches retain the temporality of decay\, the color introduces what Jean Baudrillard might describe as the logic of simulation: reality intensified precisely through its artificiality. \nThe works also echo a reversed form of classical Chinese literati aesthetics. Where traditional literati painting often pursued “compression through weathered emptiness” — reducing the world into ink\, void\, and gesture — these works enact a compression through chromatic saturation. The tangled vine becomes a condensed structure of historical memory\, while magenta operates almost as a contemporary counterpart to ink: not natural\, but hyper-artificial; not withdrawn\, but aggressively present. \nSuspended between objecthood and theatricality\, ruin and ornament\, realism and hallucination\, the works propose a different understanding of realism itself. Reality here is not achieved through representation\, but through direct material presence complicated by cultural coding\, synthetic color\, and the unstable perceptual systems through which contemporary viewers encounter nature. \nJoin us at Axis Gallery\, located at 625 S Street in Sacramento’s historic R Street Corridor\, within the Verge Center for the Arts building. The gallery has exhibited innovative contemporary art for over 35 years and continues to serve as a vital space for artists to explore\, connect\, and share work outside the commercial sphere.\nGallery hours: Friday–Sunday\, 12–5 PM \nABOUT THE ARTIST \nSharon Tsao is a sculptor\, art historian\, and educator whose work explores the intersections of nature\, memory\, cultural identity\, and material transformation. She received a B.A. in Sculpture from the China Academy of Art in 1982 and earned a Ph.D. in Art History from Stanford University in 1996. Tsao has taught Art History at Postsecondary Educational institutions\, where she supervised graduate research in art history.\nHer works have been exhibited\, collected\, and auctioned internationally\, and are held in private and public collections in Asia\, North America\, and Europe.
URL:https://artsalliancedavis.org/event/who-are-orientals-magenta-realism-10/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/06/Tsao-Magenta-Realism-1.docx-H-Tsao-YvHT90.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260725T120000
DTEND;TZID=America/Los_Angeles:20260725T170000
DTSTAMP:20260624T164115Z
CREATED:20260624T164115Z
LAST-MODIFIED:20260624T164115Z
UID:25980-1784980800-1784998800@artsalliancedavis.org
SUMMARY:Who are Orientals: Magenta Realism
DESCRIPTION:SHARON TSAO\nWHO ARE ORIENTALS: MAGENTA REALISM\nJuly 3 – August 2\, 2026\nSecond Saturday Reception: July 11\, 5–8 PM \nAbout forty years ago\, when I first came to California\, I was told that I was “Oriental.” I was also told that certain tables and chests were “Oriental\,” and that a particular decorative style was likewise considered “Oriental\,” even though these things looked unfamiliar to me. \nThe works in this exhibition are largely produced in what I was told is an “Oriental” style or manner. They originate from dried Boston ivy vines resembling twisted tree branches\, gathered after years of growth without human intervention and coated with an artificial magenta surface. \nThe application of magenta coating violently interrupts this natural index. Historically\, magenta is among the first fully synthetic modern pigments\, inseparable from industrial chemistry\, mechanical reproduction\, and the chromatic excess of modernity. Here\, color no longer functions descriptively\, but operatively. The magenta surface transforms the dead vines into unstable signs oscillating between the imagined seductions of the “Oriental” and the chromatic excess of industrial modernity\, between contamination and ritual\, and between transcendence and artifice. If the branches retain the temporality of decay\, the color introduces what Jean Baudrillard might describe as the logic of simulation: reality intensified precisely through its artificiality. \nThe works also echo a reversed form of classical Chinese literati aesthetics. Where traditional literati painting often pursued “compression through weathered emptiness” — reducing the world into ink\, void\, and gesture — these works enact a compression through chromatic saturation. The tangled vine becomes a condensed structure of historical memory\, while magenta operates almost as a contemporary counterpart to ink: not natural\, but hyper-artificial; not withdrawn\, but aggressively present. \nSuspended between objecthood and theatricality\, ruin and ornament\, realism and hallucination\, the works propose a different understanding of realism itself. Reality here is not achieved through representation\, but through direct material presence complicated by cultural coding\, synthetic color\, and the unstable perceptual systems through which contemporary viewers encounter nature. \nJoin us at Axis Gallery\, located at 625 S Street in Sacramento’s historic R Street Corridor\, within the Verge Center for the Arts building. The gallery has exhibited innovative contemporary art for over 35 years and continues to serve as a vital space for artists to explore\, connect\, and share work outside the commercial sphere.\nGallery hours: Friday–Sunday\, 12–5 PM \nABOUT THE ARTIST \nSharon Tsao is a sculptor\, art historian\, and educator whose work explores the intersections of nature\, memory\, cultural identity\, and material transformation. She received a B.A. in Sculpture from the China Academy of Art in 1982 and earned a Ph.D. in Art History from Stanford University in 1996. Tsao has taught Art History at Postsecondary Educational institutions\, where she supervised graduate research in art history.\nHer works have been exhibited\, collected\, and auctioned internationally\, and are held in private and public collections in Asia\, North America\, and Europe.
URL:https://artsalliancedavis.org/event/who-are-orientals-magenta-realism-11/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/06/Tsao-Magenta-Realism-1.docx-H-Tsao-YvHT90.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260726T120000
DTEND;TZID=America/Los_Angeles:20260726T170000
DTSTAMP:20260624T164138Z
CREATED:20260624T164138Z
LAST-MODIFIED:20260624T164138Z
UID:25983-1785067200-1785085200@artsalliancedavis.org
SUMMARY:Who are Orientals: Magenta Realism
DESCRIPTION:SHARON TSAO\nWHO ARE ORIENTALS: MAGENTA REALISM\nJuly 3 – August 2\, 2026\nSecond Saturday Reception: July 11\, 5–8 PM \nAbout forty years ago\, when I first came to California\, I was told that I was “Oriental.” I was also told that certain tables and chests were “Oriental\,” and that a particular decorative style was likewise considered “Oriental\,” even though these things looked unfamiliar to me. \nThe works in this exhibition are largely produced in what I was told is an “Oriental” style or manner. They originate from dried Boston ivy vines resembling twisted tree branches\, gathered after years of growth without human intervention and coated with an artificial magenta surface. \nThe application of magenta coating violently interrupts this natural index. Historically\, magenta is among the first fully synthetic modern pigments\, inseparable from industrial chemistry\, mechanical reproduction\, and the chromatic excess of modernity. Here\, color no longer functions descriptively\, but operatively. The magenta surface transforms the dead vines into unstable signs oscillating between the imagined seductions of the “Oriental” and the chromatic excess of industrial modernity\, between contamination and ritual\, and between transcendence and artifice. If the branches retain the temporality of decay\, the color introduces what Jean Baudrillard might describe as the logic of simulation: reality intensified precisely through its artificiality. \nThe works also echo a reversed form of classical Chinese literati aesthetics. Where traditional literati painting often pursued “compression through weathered emptiness” — reducing the world into ink\, void\, and gesture — these works enact a compression through chromatic saturation. The tangled vine becomes a condensed structure of historical memory\, while magenta operates almost as a contemporary counterpart to ink: not natural\, but hyper-artificial; not withdrawn\, but aggressively present. \nSuspended between objecthood and theatricality\, ruin and ornament\, realism and hallucination\, the works propose a different understanding of realism itself. Reality here is not achieved through representation\, but through direct material presence complicated by cultural coding\, synthetic color\, and the unstable perceptual systems through which contemporary viewers encounter nature. \nJoin us at Axis Gallery\, located at 625 S Street in Sacramento’s historic R Street Corridor\, within the Verge Center for the Arts building. The gallery has exhibited innovative contemporary art for over 35 years and continues to serve as a vital space for artists to explore\, connect\, and share work outside the commercial sphere.\nGallery hours: Friday–Sunday\, 12–5 PM \nABOUT THE ARTIST \nSharon Tsao is a sculptor\, art historian\, and educator whose work explores the intersections of nature\, memory\, cultural identity\, and material transformation. She received a B.A. in Sculpture from the China Academy of Art in 1982 and earned a Ph.D. in Art History from Stanford University in 1996. Tsao has taught Art History at Postsecondary Educational institutions\, where she supervised graduate research in art history.\nHer works have been exhibited\, collected\, and auctioned internationally\, and are held in private and public collections in Asia\, North America\, and Europe.
URL:https://artsalliancedavis.org/event/who-are-orientals-magenta-realism-12/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/06/Tsao-Magenta-Realism-1.docx-H-Tsao-YvHT90.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260731T120000
DTEND;TZID=America/Los_Angeles:20260731T170000
DTSTAMP:20260624T164242Z
CREATED:20260624T164242Z
LAST-MODIFIED:20260624T164242Z
UID:25991-1785499200-1785517200@artsalliancedavis.org
SUMMARY:Who are Orientals: Magenta Realism
DESCRIPTION:SHARON TSAO\nWHO ARE ORIENTALS: MAGENTA REALISM\nJuly 3 – August 2\, 2026\nSecond Saturday Reception: July 11\, 5–8 PM \nAbout forty years ago\, when I first came to California\, I was told that I was “Oriental.” I was also told that certain tables and chests were “Oriental\,” and that a particular decorative style was likewise considered “Oriental\,” even though these things looked unfamiliar to me. \nThe works in this exhibition are largely produced in what I was told is an “Oriental” style or manner. They originate from dried Boston ivy vines resembling twisted tree branches\, gathered after years of growth without human intervention and coated with an artificial magenta surface. \nThe application of magenta coating violently interrupts this natural index. Historically\, magenta is among the first fully synthetic modern pigments\, inseparable from industrial chemistry\, mechanical reproduction\, and the chromatic excess of modernity. Here\, color no longer functions descriptively\, but operatively. The magenta surface transforms the dead vines into unstable signs oscillating between the imagined seductions of the “Oriental” and the chromatic excess of industrial modernity\, between contamination and ritual\, and between transcendence and artifice. If the branches retain the temporality of decay\, the color introduces what Jean Baudrillard might describe as the logic of simulation: reality intensified precisely through its artificiality. \nThe works also echo a reversed form of classical Chinese literati aesthetics. Where traditional literati painting often pursued “compression through weathered emptiness” — reducing the world into ink\, void\, and gesture — these works enact a compression through chromatic saturation. The tangled vine becomes a condensed structure of historical memory\, while magenta operates almost as a contemporary counterpart to ink: not natural\, but hyper-artificial; not withdrawn\, but aggressively present. \nSuspended between objecthood and theatricality\, ruin and ornament\, realism and hallucination\, the works propose a different understanding of realism itself. Reality here is not achieved through representation\, but through direct material presence complicated by cultural coding\, synthetic color\, and the unstable perceptual systems through which contemporary viewers encounter nature. \nJoin us at Axis Gallery\, located at 625 S Street in Sacramento’s historic R Street Corridor\, within the Verge Center for the Arts building. The gallery has exhibited innovative contemporary art for over 35 years and continues to serve as a vital space for artists to explore\, connect\, and share work outside the commercial sphere.\nGallery hours: Friday–Sunday\, 12–5 PM \nABOUT THE ARTIST \nSharon Tsao is a sculptor\, art historian\, and educator whose work explores the intersections of nature\, memory\, cultural identity\, and material transformation. She received a B.A. in Sculpture from the China Academy of Art in 1982 and earned a Ph.D. in Art History from Stanford University in 1996. Tsao has taught Art History at Postsecondary Educational institutions\, where she supervised graduate research in art history.\nHer works have been exhibited\, collected\, and auctioned internationally\, and are held in private and public collections in Asia\, North America\, and Europe.
URL:https://artsalliancedavis.org/event/who-are-orientals-magenta-realism-13/
LOCATION:Axis Gallery\, 625 S St\, Sacramento\, 95811\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://artsalliancedavis.org/wp-content/uploads/2026/06/Tsao-Magenta-Realism-1.docx-H-Tsao-YvHT90.jpg
ORGANIZER;CN="Axis Gallery":MAILTO:info@axisgallery.org
END:VEVENT
END:VCALENDAR