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DTSTART;TZID=America/Los_Angeles:20221013T120500
DTEND;TZID=America/Los_Angeles:20221013T130000
DTSTAMP:20260518T190927
CREATED:20221012T091357Z
LAST-MODIFIED:20221012T091357Z
UID:4056-1665662700-1665666000@artsalliancedavis.org
SUMMARY:Joseph Donald Peterson\, Solo Viola
DESCRIPTION:Program \nJ.S. Bach: Cello Suite No. 6 in D Major\, BWV 1012 \nSeveral period performers are convinced Bach’s Sixth Cello Suite was composed for the ‘Shoulder Cello’—the violoncello da spalla\, which is much larger than a viola. This arrangement for viola is a testament to the versatility of Bach’s cello suites in particular. \nMilton Babbitt: Play It Again Sam \nPiggybacking off of the misquoted line in the film Casablanca\, Play It Again Sam is a serialist composer’s humorous take. Premiered by violist Samuel Rhodes (a double meaning perhaps!). \nJulie Harting: hoc est corpus meum \nJoseph Donald Peterson: Labor/Power \nPablo Ortiz: Le vrai tango Argentin \nLe vrai tango Argentin musically recalls Pablo Ortiz’s uncle—who was going through a difficult divorce—playing classic (pre-Piazzolla) tango records for Pablo as a young adult. Ortiz says of his tango: “Like a good storyteller who is not afraid to go on tangents\, the performer conveys [this] narrative in a pensive\, relaxed manner.” \n12:05–1:00 pm\nRecital Hall\, Ann E. Pitzer Center\na Shinkoskey Noon Concert
URL:https://artsalliancedavis.org/event/joseph-donald-peterson-solo-viola/
LOCATION:Recital Hall\, Ann E. Pitzer Center\, Hutchison Dr. & Cushing Way\, Davis\, CA\, 95616\, United States
CATEGORIES:Music
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221014T190000
DTEND;TZID=America/Los_Angeles:20221014T200000
DTSTAMP:20260518T190927
CREATED:20221012T091426Z
LAST-MODIFIED:20221012T091426Z
UID:4071-1665774000-1665777600@artsalliancedavis.org
SUMMARY:UC Davis Symphony Orchestra: “Italian Journey”
DESCRIPTION:Christian Baldini\, director and conductor \nProgram \nHector Berlioz: Harold in Italy \nwith Wendy Richman\, viola \nHarold in Italy was brought about by a commission by the famous 19th century violinist Nicolo Paganini in 1834. Berlioz was commissioned by Paganini not for a violin concerto but for a work that would feature Paganini and his new Stradivarius viola. Paganini thought the viola solo was too simplistic when he saw the score and declined to give the premiere. But when he heard it performed (albeit four years later) he was so pleased he paid Berlioz 20\,000 francs anyway. \nThe title suggests a sort of tour of Italy\, as well as the 19th-century poem by Lord Byron\, “Childe Harold’s Pilgrimage.” The Harold in Byron’s poem gazes upon the city of Venice standing against the forces of nature\, while the Harold in Berlioz’s symphony travels the mountainous Abruzzo region of central Italy\, as Berlioz himself once did. Scholars agree the music is more autobiographical than an illustration of the Byron Poem. \nThe listener should keep in mind the character of Harold is the viola solo\, and in the first movement\, Harold in the Mountains\, Harold is wandering through the grandeur of the Abruzzi mountains outside of Rome. In the second Harold witnesses a March of the Pilgrims\, which shows off Berlioz’s ability to create an image of an orchestral procession coming toward and then away from the listener without ever moving; be sure to listen closely to the harp\, which indicates a distant ringing of the bell at the monastery. The third movement is a Serenade between two lovers\, and no doubt Harold had his new wife\, Harriet\, in mind. Of the fourth and final movement—Orgy of the Brigands—all of the themes collide in\, well\, a diabolical march. The historian Jacques Barzun astutely observed: “The brigand of Berlioz’s time is the avenger of social injustice\, the rebel against the City\, who resorts to nature for healing the wounds of social man.” \nWendy Richman has been celebrated internationally for her compelling sound and imaginative interpretations in a wide range of genres. Her debut solo album\, vox/viola (New Focus Recordings\, 2020)\, features nine commissioned works for singing violist by leading contemporary composers. She is a founding member of the International Contemporary Ensemble\, with whom she performs regularly in New York City and around the world\, and she has performed regularly with Orpheus Chamber Orchestra and the period instrument ensemble Tesserae. Dr. Richman is a faculty member at both UCLA and California State University-Northridge (CSUN)\, where she teaches a variety of academic music courses and applied viola\, and she is a sought-after clinician at universities and conservatories across the country.
URL:https://artsalliancedavis.org/event/uc-davis-symphony-orchestra-italian-journey/
LOCATION:Jackson Hall\, Mondavi Center
CATEGORIES:Music
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221020T120500
DTEND;TZID=America/Los_Angeles:20221020T130000
DTSTAMP:20260518T190927
CREATED:20221015T111848Z
LAST-MODIFIED:20221015T111848Z
UID:4127-1666267500-1666270800@artsalliancedavis.org
SUMMARY:Trimusica
DESCRIPTION:A Shinkoskey Noon Concert​ featuring Sandra McPherson\, clarinet • Susan Lamb Cook\, cello • John Cozza\, piano. Works by Miguel del Aguila\, Jeffrey Hoover\, Durwynne Hsieh\, and others. \nDate: Oct. 20\, 2022\nTime: 12:05 – 1 pm\nLocation: Ann E. Pitzer Center\, UC Davis\nPrice: Free!
URL:https://artsalliancedavis.org/event/trimusica/
LOCATION:Ann E. Pitzer Center\, Ann E. Pitzer Center UC Davis Campus\, 754-2787
CATEGORIES:Music
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DTSTART;TZID=America/Los_Angeles:20221027T120500
DTEND;TZID=America/Los_Angeles:20221027T130000
DTSTAMP:20260518T190927
CREATED:20221020T224108Z
LAST-MODIFIED:20221020T224108Z
UID:4230-1666872300-1666875600@artsalliancedavis.org
SUMMARY:“The Macabre: A Harpsichord Halloween”
DESCRIPTION:Dr. Faythe Vollrath\, solo harpsichord and UC Davis lecturer in music \n\nImmerse yourself in the Halloween season with the eerie and spooky sounds of the harpsichord. Spine-chilling chords and cackling runs bring alive a concert of things that go bump in the night\, with black cats\, Jeckyl and Hyde\, and even compositions written by spirits. Featuring works by J.S. Bach\, Dominico Scarlatti\, James Dorsa\, and Rosemary Brown. \n\nProgram \nJ.S. Bach: Prelude in B Minor\, BWV 923 \nJames Dorsa: Jekyll and Hyde \nDomenico Scarlatti: Sonata in G Minor\, K. 30 \na Shinkoskey Noon Concert​
URL:https://artsalliancedavis.org/event/the-macabre-a-harpsichord-halloween/
LOCATION:Recital Hall\, Ann E. Pitzer Center\, Hutchison Dr. & Cushing Way\, Davis\, CA\, 95616\, United States
CATEGORIES:Music
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