PENCE GALLERY. Jordan Hayes is a figurative painter whose recent work centers on portraying objects with underlying stories and deeper meanings. Her figures engage with these items in quiet scenes, featuring dramatic lighting, eye-catching hues, and attention to detail, to provoke a greater appreciation for life’s subtleties. Free
PENCE GALLERY. Stephen Giannetti has explored the grid and the circle in various media over his 30-year career. Early in his career, he pioneered a new mode of approaching the modernist grid. For the past 15 years, Giannetti has adapted his method of hand-painting with traditional oil paint to the more contemporary application of acrylic spray paint. 11:30a—5p. Free
PENCE GALLERY. Led by watercolor artist Misuk Goltz, this 6-week workshop will help you to understand these important aspects to produce a good painting and develop a toolbox that you can use to continue to consistently practice. This class is recommended for those who have some experience drawing and painting watercolors but are feeling stuck and want to progress to the next level. 10a—2p. $180 Members | $190 Non-Members
PENCE GALLERY. This is not a class, and no instruction is provided. The atmosphere is relaxed and non-competitive. Bring your own art materials, and we’ll provide a comfortable place to sketch or paint live models in our upstairs classroom space. Participants will work independently through a warm up with shorter poses and longer, twenty-minute poses. A staff member will be on-site to facilitate the group and to answer questions. 6:30p—9p. $15-$22
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. Stephen Giannetti talks about his process of creating the current works on display in his exhibit, from his original inspiration for his paintings, to his adaptation in working in three-dimensions. Learn more about his interest in how we perceive color and space, and bring your questions! 3p—4:30p. Free, $10 suggested donation
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. This is not a class, and no instruction is provided. The atmosphere is relaxed and non-competitive. Bring your own art materials, and we’ll provide a comfortable place to sketch or paint live models in our upstairs classroom space. Participants will work independently through a warm up with shorter poses and longer, twenty-minute poses. A staff member will be on-site to facilitate the group and to answer questions. 6:30p—9p. $15-$22
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.
PENCE GALLERY. The artist painstakingly pours discarded household paint into stacks of colorful circles, celebrating found materials in unusual ways. Kehoe views her work as reminiscent of the patterned Korean textiles from her youth, creating a lively ‘quilt’ full of texture and movement that seems to escape from its base.